Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Monday, April 15, 2019

Breaking News: Notre Dame Cathedral on fire!



Notre Dame Cathedral in better times

A major fire has broken out at the medieval Notre-Dame Cathedral in central Paris on Monday afternoon, leading firefighters to clear the area around one of the city's most visited landmarks.



Very sad news for devout religious, art lovers, and historians.

There's a massive fire in the Paris Notre Dame Cathedral this afternoon. It happened on the most holiest week in the Catholic Church, Jesus' last days on earth before being killed by religious fanatics and Roman authorities.


The authorities have anticipated a massive loss of historic ecclesiastical art, precious relics in its treasury, and numerous artwork inside the cathedral.

The cathedral has been the symbol of Paris for centuries before it was displaced by the Eiffel Tower.  

Much of  Parisian history had taken place in Notre Dame Cathedral.  Mary Queen of Scots was married there.  Napoleon was crowned emperor in the early nineteenth century.  It was the historic heart of French kings and has survived both world wars, the French Revolution, the Napoleonic revolution, and so much more.

In literature and movies, Notre Dame has been the subject of Victor Hugo’s 1831 novel The Hunchback of Notre Dame, was made into a popular animated movie by Disney back in 1996.

Several versions of the Hunchback of Notre Dame were made into movies for decades besides the popular Disney classic in 1996.


The roof of Paris’ Notre Dame Cathedral collapsed as a massive fire ripped through the structure on Monday, days before Easter.

As of Monday afternoon, the spire of the cathedral had fallen, and the fire had spread to one of its rectangular towers. 

Paris Mayor Anne Hildago and firefighters warned people to stay away from the area. There have been no confirmed deaths, according to Paris police, while a French government official said no injuries had yet been reported. Four hundred firefighters are working to put out the blaze, according to the Ministry of the Interior for France.

NBC News tweets on the fire at the cathedral:



The area surrounding the cathedral, Paris’ Ile de la Cite, is in the process of being evacuated, according to Reuters.

No injuries were reported in the early stages of the blaze. It was not immediately clear what had caused the fire, while local media reported that police in the city were treating it as an accident. The Paris Prosecutor’s office announced that it has started an inquiry into the fire.

Major relics may be lost in the fire.  The most prominent is the Crown of Thorns.  Others were connected to the relics of French King Saint Louis such as his hair shirt.  Numerous jewels and religious artwork inside the cathedral are said to be lost in the fire.

Here's a tweet from Andrew Curry:



Emergency services also attempted to salvage the artwork stored in the cathedral, which had been undergoing renovations.

Here's a list of important relics:

Crown of Thorns
Piece of a Cross
Hair Shirt of St. Louis

14th and 15th century religious statues are endangered as well.

It's very sad that 800 years of art and religious history is being erased before our eyes.  History books and photos that preserved the memories of Notre Dame for art lovers and religious devotees forever.

Before I conclude this post, I'd like to share a favorite of mine:




Wednesday, March 27, 2019

Rosina Ferrara

On a lighter note,  I'd like to take a break from the barrage of bad news and politics to show the beauty of John Singer Sargent's muse and George Barse's beloved wife Rosina Ferrara.

Although she's long gone, her beauty endures in the numerous paintings, drawings, and statues all over the world.  I give you the images of Ms. Rosina Ferrara:



Rosina Ferrara by Charles Sprague Pearce, 1880

Rosina by John Singer Sargent

Rosina Ferrara by Frank Hyde


Rosina by Daux, 1878

Ana-Capri girl by John Singer Sargent 1878

Erotica by George Randolph Barse

Rosina by Fisher








Saturday, April 26, 2014

A BLACK WOMEN SPEAKS... OF WHITE WOMANHOOD OF WHITE SUPREMACY OF PEACE A poem by BEULAH RICHARDSON

A BLACK WOMEN SPEAKS... OF WHITE WOMANHOOD OF WHITE SUPREMACY OF PEACE A poem by BEULAH RICHARDSON 

Read by Beulah Richardson at the Women's Workshop at the American People's Peace Congress held in Chicago on June 29, 30 and July 1, 1951 bringing a standing ovation from all 500 women attending.


It is right that I a woman black, should speak of white womanhood. my fathers my brothers my husbands my sons die for it: because of it. and their blood chilled in electric chairs, stopped by hangman’s noose, cooked by lynch mobs’ fire, spilled by white supremacist mad desire to kill give me that right

I would that I could speak of white womanhood

as it will and should be

when it stands tall in full equality.

but then, womanhood will be womanhood.


Void of color and of class, And all necessity for my speaking thus will be past. Gladly past. But now, since ‘tis deemed a thing apart Supreme, I must in searching honesty report How it seems to me. White womanhood stands in bloodied skirt and willing slavery reaching out adulterous hand killing mine and crushing me. What then is the superior thing That in order to be sustained must needs feed upon my flesh?

 Let’s look to history. They said, the white supremacist said that you were better than me, that your fair brow would never know the sweat of slavery. They lied White womanhood to is enslaved, The difference is degree. They brought me here in chains. They brought you here willing slaves to man. You, shiploads of women each filled with hope That she might win with ruby lip and saucy curl And bright and flashing eyes Him to wife who had the largest tender. Remember? And they sold you here even as they sold me.

My sisters, there is no room for mockery. If they counted my teeth They did appraise your thigh And sold you to the highest bidder The same as I. And you did not fight for your right to choose Whom you would wed But for whatever bartered price That was the legal tender You were sold to a stranger’s bed In a stranger land Remember? And you did not fight. Mind you, I speak not mockingly But I fought for freedom, I’m fighting now for our unity. We are women all. And what wrongs you murders me And eventually marks your grave So we share a mutual death at the hand of tyranny. They trapped me with the chain and gun. They trapped you with lying tongue.

For, ‘less you see that fault— That male villainy That robbed you of name, voice and authority, That murderous greed that wasted you and me, He, the white supremacist, fixed your minds with poisonous thought: “white skin is supreme.” And there with bought that monstrous change exiling you to things. Changed all that nature had in you wrought of gentle usefulness, abolishing your spring.

Tore out your heart, set your good apart from all that you could say, think, feel, know to be right. And you did not fight, but set your minds fast on my slavery the better to endure your own. 'Tis true my pearls were beads of sweat wrung from weary bodies' pain, instead of rings upon my hands I wore swollen, bursting veins. My ornaments were the wipe-lash's scar my diamond, perhaps, a tear. Instead of paint and powder on my face I wore a solid mask of fear to see my blood so spilled. And you, women seeing spoke no protest but cuddled down in your pink slavery and thought somehow my wasted blood confirmed your superiority.

Because your necklace was of gold you did not notice that it throttled speech. Because diamond rings bedecked your hands you did not regret their dictated idleness. Nor could you see that the platinum bracelets which graced your wrists were chains binding you fast to economic slavery And though you claimed your husband's name still could not command his fidelity. You bore him sons. I bore him sons. No, not willingly. He purchase you. He raped me, I fought! But you fought neither for yourselves nor me. Sat trapped in your superiority and spoke no reproach. Consoled your outrage with an added diamond brooch. Oh, God, how great is a woman's fear who for a stone, a cold, cold stone would not defend honor, love or dignity!

Your bore the damning mockery of your marriage and heaped your hate on me, a woman too, a slave more so. And when your husband disowned his seed that was my son and sold him apart from me you felt avenged. Understand: I was not your enemy in this, I was not the source of your distress. I was your friend, I fought. But you would not help me fight thinking you helped only me. Your deceived eyes seeing only my slavery aided your own decay. Yes, they condemned me to death and they condemned you to decay. Your heart whisked away, consumed in hate, used up in idleness playing yet the lady's part estranged to vanity. It is justice to you to say your fear equaled your tyranny. You were afraid to nurse your young lest fallen breast offend your master's sight and he should flee to firmer loveliness. And so you passed them, your children, on to me. Flesh that was your flesh and blood that was your blood drank the sustenance of life from me. And as I gave suckle I knew I nursed my own child's enemy.

 I could have lied, told you your child was fed till it was dead of hunger. But I could not find the heart to kill orphaned innocence. For as it fed, it smiled and burped and gurgled with content and as for color knew no difference. Yes, in that first while I kept your sons and daughters alive. But when they grew strong in blood and bone that was of my milk you taught them to hate me. PUt your decay in their hearts and upon their lips so that strength that was of myself turned and spat upon me, despoiled my daughters, and killed my sons. You know I speak true.

Though this is not true for all of you When I bestirred myself for freedom and brave Harriet led the way some of you found heart and played a part in aiding my escape. And when I made my big push for freedom your sons fought at my sons' side. Your husbands and brothers too fell in that battle when Crispus Attucks died. It's unfortunate that you acted not in the way of justice but to preserve the Union and for dear sweet pity's sake; Else how came it to be with me as it is today? You abhorred slavery yet loathed equality.

I would that the poor among you could have seen through the scheme and joined hands with me. Then, we being the majority, could long ago have recued our wasted lives. But no. The rich, becoming richer, could be content while yet the poor had only the pretense of superiority and sought through murderous brutality to convince themselves that what was false was true.

 So with KKK and fiery cross and bloodied appetites set about to prove that "white is right" forgetting their poverty. Thus the white supremacist used your skins to perpetuate slavery. And woe to me. Woe to Willie McGee. Woe to the seven men of Martinsville. And woe to you. It was no mistake that your naked body on an Esquire calendar announced the date, May Eighth. This is your fate if you do not wake to fight. They will use your naked bodies to sell their wares though it be hate, Coca Cola or rape. When a white mother disdained to teach her children this doctrine of hate, but taught them instead of peace and respect for all men's dignity the courts of law did legislate that they be taken from her and sent to another state. To make a

Troy Hawkins of the little girl and a killer of the little boy! No, it was not for the womanhood of this mother that Willie McBee died but for the depraved, enslaved, adulterous woman whose lustful demands denied, lied and killed what she could not possess. Only three months before another such woman lied and seven black men shuddered and gave up their lives. These women were upheld in these bloody deeds by the president of this nation, thus putting the official seal on the fate of white womanhood with in these United States. This is what they plan for you. This is the depravity they would reduce you to.

 Death for me and worse than death for you. What will you do? Will you fight with me? White supremacy is your enemy and mine. So be careful when you talk with me. Remind me not of my slavery, I know it will but rather tell me of your own. Remember, you have never known me. You've been busy seeing me as white supremacist would have me be, and I will be myself. Free! My aim is full equality. I would usurp their plan! Justice peace and plenty for every man, woman and child who walks the earth. This is my fight! If you will fight with me then take my hand and the hand of Rosa Ingram, and Rosalee McGee, and as we set about our plan let our Wholehearted fight be: PEACE IN A WORLD WHERE THERE IS EQUALITY.

FAJ rend hommage à Saint Louis





25 avril 2014 : 800 em anniversaire de la naissance de Saint Louis à Poissy. A cette occasion, FAJ s'est rendu à Poissy pour honorer cet anniversaire.

Tuesday, November 19, 2013

Carmela Bertagna- John Singer Sargent's Model and Muse

John Singer Sargent's muse, Carmela Bertagna. She's very beautiful and an extraordinary model in her own right.




Here's an essay on the girl dancer and model Carmela Bertagna

Carmela Bertagna, a Spanish-Parisian model who modelled for painter John Singer Sargent. Very little is known about her life, except that she lived with her mother and brother. Her father is unknown. She and her family had to work in order to make ends meet for themselves. She is of Spanish descent and modelled with various artists, including John Singer Sargent. Her Mediterranean Latin looks fascinated Sargent, who was captivated by magnificent Rosina Ferrara of Capri a year earlier.

Carmela Bertagna posed as a young girl begging for alms for John Singer Sargent's painting, "A Parisian Beggar Girl", where she sported unkempt hair semi covered with a veil and wore a stark white gown trimmed in black. She leaned against a very stark white wall, a prop which Sargent used in his later pictures, most notably, "Fumee d"Amberigis," a famous picture in which Sargent placed a magnificently dressed Arab woman against a stark white wall. Carmela also posed for the self-titled picture in which she was dressed in her native peasant costume accentuated with a long, pink, furry-like shawl. Her stare according to some people is like that of a predator, namely a wolf. Bizet contemptuously described Carmen as having eyes like that of a wolf. I'm disturbed about the description. The description implicates that certain groups of women have "animal-like" personalities. It goes back to the ancient stereotyping of women as wicked temptresses who led men astray. The stereotype of a Spanish temptress was the theme of George Bizet's Carmen, a play that shocked conservative middle class audiences when it first performed in 1875. Carmela sports a red ribbon in her hair, which was typical of most Mediterranean women of the late 19th century.

Famous R&B singer Faith Evans have a vague resemblance to Carmela. She is also of Mediterranean ancestry in her multi ethnic makeup and is very ethnic in appearance. Faith's father, Richard Swain, is of Italian Ancestry. Her mother is African American. So is the opera singer Julia Migenes. As a matter of fact, she resembles her in some of her pictures on the internet. Ms. Migenes is of Greek, Irish-Puerto Rican descent and was known for her starring role in the 1984 opera movie, Carmen. She played the title character. Carmela Bertagna wouldn't look out of place in Bizet's Carmen: She's similar the Carmen character: Sultry, seductive, and independent.

In the 19th century ultra-conservative Catholic Spanish society, Gypsies, Middle Easterners, Jews, and poor people are regarded as menaces to the respectable, law- abiding people. It is the same in the 21st Century with us Americans, particularly conservatives and most liberals(a.k.a. SWPL) stereotype and demean certain groups of people to be outsiders: unpopular racial minorities such as blacks, immigrant groups such as Latinos, the underclass and poor of all races and ethnicity, prisoners(The U.S. has the largest prison industrial complex of all the industrial nations), gays, feminists(think Rush Limbaugh's contempt for them), and so on. With welfare reform initiated by Clinton back in 1997, we are seeing plenty poor/working class women, especially Women of Color, struggling to put food and other necessities for their families as well as working at low quality jobs in the future decades. Also, Proposition 187 initiated by Pete Wilson as well as the Personal Responsibility Act of 1996 tend to punish immigrants of color as well as poor and working class Americans by telling them that they cannot use taxpayers' funds to help ease their way into the mainstream, that means not using public assistance nor attending public schools like other people. We Americans stereotype Black, Latina, and Native American women as "baby mamas", "welfare queens", and "loose women."  It was the same in France back in the late 19th Century when the French agonized over the Arrivals of Italian and Spanish migrants as well as Roma(formerly known as "Gypsies").

The Carmela picture tells us about the demographics of French society in the late 19th Century. When you look at the picture, remember her as an innocent young girl caught up in circumstances beyond her control, not to condemn her as an outcast or a "tramp."

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