Kris Kristofferson passed away in Maui, Hawai'i. |
Legendary actor and singer Kristopher Kristofferson has passed away on Saturday. He was 88 years old. I remember him from The Blade franchise and also his memorable music.
Kris was an American country singer, songwriter and actor. Among his songwriting credits are "Me and Bobby McGee", "For the Good Times", "Sunday Mornin' Comin' Down", and "Help Me Make It Through the Night", all of which were hits for other artists.
Kristofferson joined fellow country artists Waylon Jennings, Willie Nelson and Johnny Cash in the country music supergroup the Highwaymen, which was a key creative force in the outlaw country music movement that eschewed the traditional Nashville country music machine in favor of independent songwriting and producing.
As an actor, Kristofferson was known for his roles in Pat Garrett and Billy the Kid (1973), Blume in Love (1973), Alice Doesn't Live Here Anymore (1974), A Star Is Born (1976) (which earned him a Golden Globe Award for Best Actor), Convoy (1978), Heaven's Gate (1980), Stagecoach (1986), Lone Star (1996), and the Blade film trilogy (1998–2004). Kristofferson was inducted into the Country Music Hall of Fame in 2004 and received the Grammy Lifetime Achievement Award in 2014.
A son of Brownsville, Texas, Kristofferson grew up in a military family. His father pressured him to join the military. He took up training at an early age and had hopes of being a writer or a singer. He took residence in San Mateo, California and gained a reputation for writing the prize-winning essays, "The Rock" and "Gone Are the Days". They were published in The Atlantic Monthly.
These stories touch on the roots of Kristofferson's passions and concerns. "The Rock" is about a geographical feature resembling the form of a woman, while the latter was about a racial incident.
He took a summer internship as a contractor for the military. He had an opportunity to visit the U.S. military installation on Wake Island.
Kristofferson was a Golden Gloves boxer, rugby star and football player in college; received a master’s degree in English from Merton College at the University of Oxford in England; and flew helicopters as a captain in the U.S. Army but turned down an appointment to teach at the U.S. Military Academy at West Point, New York, to pursue songwriting in Nashville. Hoping to break into the industry, he worked as a part-time janitor at Columbia Records’ Music Row studio in 1966 when Dylan recorded tracks for the seminal “Blonde on Blonde” double album.
At times, the legend of Kristofferson was larger than real life. Cash liked to tell a mostly exaggerated story of how Kristofferson landed a helicopter on Cash’s lawn to give him a tape of “Sunday Mornin’ Comin’ Down” with a beer in one hand. Over the years in interviews, Kristofferson said with all respect to Cash, while he did land a helicopter at Cash’s house, the Man in Black wasn’t even home at the time, the demo tape was a song that no one ever actually cut and he certainly couldn’t fly a helicopter holding a beer.
Kristofferson’s sharp-tongued political lyrics sometimes hurt his popularity, especially in the late 1980s. His 1989 album, “Third World Warrior” was focused on Central America and what United States policy had wrought there, but critics and fans weren’t excited about the overtly political songs.
He said during a 1995 interview with the AP he remembered a woman complaining about one of the songs that began with killing babies in the name of freedom.
“And I said, ‘Well, what made you mad — the fact that I was saying it or the fact that we’re doing it? To me, they were getting mad at me ’cause I was telling them what was going on.”
As the son of an Air Force General, he enlisted in the Army in the 1960s because it was expected of him.
“I was in ROTC in college, and it was just taken for granted in my family that I’d do my service,” he said in a 2006 AP interview. “From my background and the generation I came up in, honor and serving your country were just taken for granted. So, later, when you come to question some of the things being done in your name, it was particularly painful.”
Hollywood may have saved his music career. He still got exposure through his film and television appearances even when he couldn’t afford to tour with a full band.
Kristofferson’s first role was in Dennis Hopper’s “The Last Movie,” in 1971.
He starred opposite Ellen Burstyn in director Martin Scorsese’s 1974 film “Alice Doesn’t Live Here Anymore,” starred opposite Barbra Streisand in the 1976 “A Star Is Born,” and acted alongside Wesley Snipes in Marvel’s “Blade” in 1998.
He had a fondness for Westerns, and would use his gravelly voice to play attractive, stoic leading men. He was Burstyn’s ruggedly handsome love interest in “Alice Doesn’t Live Here Anymore” and a tragic rock star in a rocky relationship with Streisand in “A Star Is Born,” a role echoed by Bradley Cooper in the 2018 remake.
He was the young title outlaw in director Sam Peckinpah’s 1973 “Pat Garrett and Billy the Kid,” a truck driver for the same director in 1978’s “Convoy,” and a corrupt sheriff in director John Sayles’ 1996, “Lone Star.” He also starred in one of Hollywood biggest financial flops, “Heaven’s Gate,” a 1980 Western that ran tens of millions of dollars over budget.
And in a rare appearance in a superhero movie, he played the mentor of Snipes’ vampire hunter in “Blade.”
He described in a 2006 AP interview how he got his first acting gigs when he performed in Los Angeles.
“It just happened that my first professional gig was at the Troubadour in L.A. opening for Linda Rondstadt,” Kristofferson said. “Robert Hilburn (Los Angeles Times music critic) wrote a fantastic review and the concert was held over for a week,” Kristofferson said. “There were a bunch of movie people coming in there, and I started getting film offers with no experience. Of course, I had no experience performing either.”
The formation of the Highwaymen, with Nelson, Cash and Jennings, was another pivotal point in his career as a performer.
“I think I was different from the other guys in that I came in it as a fan of all of them,” Kristofferson told the AP in 2005. “I had a respect for them when I was still in the Army. When I went to Nashville they were like major heroes of mine because they were people who took the music seriously. To be not only recorded by them but to be friends with them and to work side by side was just a little unreal. It was like seeing your face on Mount Rushmore.”
The group put out just three albums between 1985 and 1995. Jennings died in 2002 and Cash died a year later. Kristofferson said in 2005 that there was some talk about reforming the group with other artists, such as George Jones or Hank Williams Jr., but Kristofferson said it wouldn’t have been the same.
“When I look back now — I know I hear Willie say it was the best time of his life,” Kristofferson said in 2005. “For me, I wish I was more aware how short of a time it would be. It was several years, but it was still like the blink of an eye. I wish I would have cherished each moment.”
Among the four, only Nelson is now alive.
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