Hundreds turn out for ‘Free John White’ rally

Hundreds turn out for ‘Free John White’ rally RIVERHEAD, Long Island, N.Y. (FinalCall.com) - Chanting “Free John White!” “Free John White!” hundreds of demonstrators, Black, White and Latino, answered a call from the Rev. Al Sharpton and the National Action Network to show up in front of the Suffolk County courthouse to protest the guilty verdict against John White, 54, of Miller Place, Long Island.

Mr. White faces a maximum of 15 years in jail after being convicted of manslaughter in the second-degree. His sentencing is scheduled for Feb. 21. The father and husband was convicted on Dec. 22 in the “accidental” shooting death of Daniel Cicciaro. He remains free on $100,000 bail; and his defense team is preparing an appeal.

“We come today as one community, because if they are allowed to invade and violate the property of one of us, then they will be allowed to invade and trespass on the property belonging to any of us,” Rev. Sharpton told the Jan. 5 gathering.

Mr. White, a construction foreman, has maintained that the shooting was unintentional, saying the 17-year-old lunged for the handgun, and it went off.

During the three-week trial, Mr. White’s lawyers maintained he felt threatened by five White teens who invaded his property after 11 p.m. on a week night, threatening to harm his son, Aaron, and rape his wife, Sonia. The lawyers told the jury that the drunken youths were reminiscent of southern lynch mobs.

Rev. Sharpton noted that police only focused on the shooting, ignoring the culpability of the “drunken White teens,” who according to testimony used racial epithets. “What amazes me,” said the longtime activist, “is how you start an investigation halfway after the events of the evening was over.” Suffolk County law enforcement officials did not start their investigation at the moment the teens “decided to trespass and menace the White family,” he said.

Lawyer, Jeffrey Schwartz vs Nixzmary Brown 7 year old Killed

A scum of the Earth lawyer in New York City att... (more)
Added: January 17, 2008
A scum of the Earth lawyer in New York City attacks and blames 7 year-old Nixzmary Brown for her own murder.

Iraqi Soldier Screams "White Power!"

YouTube - Iraqi Soldier Screams "White Power!": "A short break for soldiers in Iraq turns tense as an Iraqi-coalition soldier screams 'White Power,' gives the sieg heil salute, and calls an African-American serviceman 'Knee-gar'."

Black Women and the Movie/Music Industrial Complex

Hat tip to Ann.

Hollywood tells us Black women: No need to apply unless you're applying for a two-bit maid/sapphire/prostitute role. This is how Hollywood and the larger society in general sees Black women today.

Ain't nothing changed.

Please sign to help missing black women

Please sign my petition to get black women more coverage on cable news channels. You can sign here
http://www.petitiononline.com/mbw/petition.html

To: CNN, Fox News, MSNBC

While this started as a drive to get cases of missing African American Women and other women of color more air time on cable and news it is now a mission to get missing women of every ethnic group, race, or religion more air time by asking Cable Stations to devote just 30 seconds of air time per hour to the story of a missing woman. That would be 168 woman a week and 8736 women a year that would get at least some coverage on a national level. Please help me do this by signing my petion which wil be sent to CNN, Fox News and MSNBC. The may ignore 1 or 100 but they can't ignore thousands.

White Women Replacing Black Women In Movie Roles

Angelina Jolie as Marianne Pearl in "A Mighty Heart"

Is white the new black?
By Orville Lloyd Douglas

Angelina Jolie is the "new" black these days. From making Africa her new crusade to adopting an African daughter and talking about racial harmony on CNN, Jolie's so-called altruism is her way to profit from the image of blackness.

The new black is also white actors like Jolie in blackface. Jolie is currently starring in the biopic A Mighty Heart as Mariane Pearl, the widow of murdered Wall Street Journal writer Daniel Pearl. Jolie is white, and the real Mariane Pearl is of mixed heritage. (According to news reports, her father is Dutch-Jewish and her mother was Cuban-black-Hispanic-Chinese.) In the film, Jolie's skin is darkened to appear more African and she is wearing a kinky wig.

Some people argue that since Pearl is of mixed heritage and not dark-skinned, Jolie is acceptable in the role. However, the symbolism of blackface is not about whether a white actor takes on a dark skin tone or light. It is the implicit message being sent that black women in Hollywood–which is slow to capitalize on the bankable quality of black female stars–can be replaced by white women. This certainly isn't because of a lack of talent.

Movies aren't just entertainment. There are cultural values embedded in the subtext of films. Movie stars are mythologies of hierarchy created by publicists, studios, and news media.

The social constructions of the star-system archetype arose from the days of slavery. Hollywood's consistent message is that black women are less profitable than white women. The standard by which North American women of all races are measured is the white female: feminine, beautiful, fragile, and perfect. By contrast, Queen Latifah's mammy performance in the 2002 film Chicago as Matron Mama Morton and her 2003 Bringing Down the House role portray black women as aggressive, hostile, and unattractive.

The last major dramatic film for a black actress was the interracial drama Monster's Ball. Although Halle Berry won an Oscar, it was degrading: Berry's character, Leticia Musgrove, was depicted as sexually loose, the aggressor in the interracial sex scene, with the line "Make me feel good" delivered with a sneer.

Such scenes shattered some of the respect the black community had for Berry. By contrast in A Mighty Heart, Angelina Jolie's character is a pillar of strength, a woman demanding to know what happened to her husband.

Since Hollywood is concerned about maximizing its profits, movies must be palatable to a mass market. Jolie was cast as A Mighty Heart's female lead because she is considered an international draw, not for racial accuracy.

Black feminist bell hooks points out in Outlaw Culture, her groundbreaking book on films in pop culture, that we are controlled by a "White Supremacist Capitalist Patriarchy". Hooks believes we must be "enlightened witnesses" and be cognizant that we are conditioned to accept whiteness as the centre of the universe.

Black women have a long history of being typecast in film primarily as sex objects or maids. A Mighty Heart was the chance for a black actress to shine in a film that showcased the female lead as a three-dimensional person with complex emotions.

A more serious issue is the paucity of leading roles for black women in Hollywood. A Mighty Heart also tackles the rarely portrayed interracial relationship, in this case an interracial marriage between a black woman and a white man. Jolie's presence in the film is a hindrance as it obscures and ultimately eliminates the real Mariane Pearl altogether. (Women have also asked why Mariane Pearl would allow a white woman to take the female lead in A Mighty Heart.)

Jolie consistently portrays herself as a Hollywood liberal who is against racism. Yet her superficial insensitivity to the plight of black women suggests an unwillingness to be challenged about her own values. What will she teach her daughter about white cultural domination?

Erica Green - The Precious Doe Story